Fujifilm Recipes
for those who just want to shoot... and be done with it
All recipes share the following specs:
Sharpness -2 Noise Reduction -4
Hanakrome
Vibrant and rich, but tamed and clean. Named after a loved one and the Japanese word for flower. Good for both subtle sky gradients, and stark color contrasts.
Velvia
ISO 640-2000
DR400
Grain - weak, large (no grain if no large option)
CCFX - strong
CCFXB - strong
WB - daylight +1r, -2b
H +0.5, S -0.5 (S +1 if no clarity)
Color -2 (unless no CCFX options, then -1)
Clarity +3
Portra 79
A blended aesthetic between Kodak Gold (atomic number 79) and Kodak Porta. This warm and rich recipe is great for portraits and travel photography where you want to set it and forget it. Great skin tones, great landscapes, great memories.
Astia
ISO 640-3200
DR400
Grain - weak, large (no grain if no large option)
CCFX - weak
CCFXB - strong
WB - daylight +2r, -4b
H +1, S 0
Color 0 (unless no CCFX options, then +1)
Vista Cruiser
I developed this recipe as an homage to Ansel Adams. It's contrasty, but retains details and is good in nearly any non portrait situation, but excels with landscapes. Dark blue skies can look grainy– embrace it.
Acros (red)
ISO 640-2000
DR400
Grain - weak, large (no grain if no large option)
WB - daylight -5r, +4b
H +0.5, S +1.5 (S +2 if no clarity)
Clarity +4
Zen Paper
This was my first successful recipe. I made it originally to have a gritty, use it anywhere kind of black and white. Great for anything, especially street. Lean into the highlights!
Acros (yellow)
ISO 1600+
DR400
Grain - weak, large (no grain if no large option)
WB - auto
H +2, S +4
Newport 60
This one is all about skin tones. I'll leave it at that.
Acros (green)
ISO 640-2000
DR400
Grain - off
WB - daylight
H -0.5, S -0.5 (-1 for H and 0 for S if no half steps)
